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+++ b/README.md
@@ -1,11 +1,16 @@
 # A Breathless And Brief Introduction To Stand Development
 
 
-**WARNING**:  *What follows is for the advanced darkroom practitioner.
-              It is not for beginners and people should be well
-              acquainted with safety and good darkroom practices.
-              If you do not already have a least one film/developer
-              combination "dialed in", don't bother with any of this.*
+**WARNING**: What follows is for the *advanced darkroom practitioner*.
+             It is not for beginners and people should be well
+             acquainted with safety and good darkroom practices.
+             Pyro, in it's various forms, is TOXIC and should be
+             handled with the utmost care and protection of eyes,
+             hands, clothing, in well ventilated settings.  You
+             should be using a good lab apron or coat, nitrile
+             gloves, eye protection, and a lab grade respirator mask.
+             If you do not already have a least one film/developer
+             combination "dialed in", don't bother with any of this.
 
 **NOTE**:  Please note that I periodically update this document with
            new findings.  If you've already read it in the past,
@@ -463,8 +468,8 @@
 edge effects far more so than does the 1 midpoint agitation of
 Seminstand.  Given a subject with a lot of midtone texture and local
 contrast, you might prefer Semistand with a film like Shanghai GP3 or
-Tri-X.  Of course, conventional development is always a thought if the
-dynamic range of the scene can be properly managed.
+Agfapan APX 100.  Of course, conventional development is always a
+thought if the dynamic range of the scene can be properly managed.
 
 
 ## Updates