diff --git a/README.md b/README.md
index 6ae9e45..f7b6af8 100644
--- a/README.md
+++ b/README.md
@@ -42,6 +42,44 @@
 agitation can be made to work reliably and produces useful results
 ... at least for me.
 
+## tl;dr
+
+Oh, you're one of those impatient types, eh?  Here is the short form.
+
+High dilution, low agitation works fine if you:
+
+* Minimize contact between the film and its support structure.  That
+  means pinch style hangers for sheet film or using stainless steel
+  reels for rollfilm.  Avoid framed sheet film hangers or plastic
+  sheet film contraptions like the Yankee system.  Avoid plastic, or
+  high-walled rollfilm reels.  Use Nikor stainless steel reels for
+  rollfilm to minimize film contact.
+
+* Get the film off the bottom of the tank so gravity can pull away
+  development byproducts.  That means hanging sheet films horizontally
+  using pinch style hangers.  It means inverting a funnel in a double
+  height tank to suspend a stainless rollfilm reel well above the
+  bottom.
+
+* Whether you do semistand or EMA, you need a good, vigorous
+  agitation at the beginning.  2 minutes for semistand or 90 seconds
+  for EMA seems to be about right.
+
+* As of this writing (5/2024), it looks like higher dilution with EMA
+  is preferrable to lower dilution with semistand for normal or long
+  Subject Brightness Ranges - at least with Pyrocat-HD.  I've found
+  that semistand with Pyrocat-HD, even at 1.5:1:250 still jacks up the
+  contrast too much.  EMA for an hour with three agitations (90
+  seconds initial, 10 seconds at 21 & 41 minutes) at 1.5:1:300 seems
+  to work better.  At this dilution, you'll get about 1/3 stop less
+  than box ASA speeds.
+
+* When faced with a low contrast or short Subject Brightness range, a
+  lower dilution semistand (1.5:1:250) for an hour seems to work best.
+  Begin with 2 minutes agitation and one 15 second midpoint agitation
+  at 31 minutes.  At this dilution, you should pretty much get box ASA
+  speeds.
+
 
 ## Introduction
 
@@ -479,7 +517,7 @@
 
 The worst offender here is EMA.  The repeated agitations drives up
 edge effects far more so than does the 1 midpoint agitation of
-Seminstand.  Given a subject with a lot of midtone texture and local
+Semistand.  Given a subject with a lot of midtone texture and local
 contrast, you might prefer Semistand with a film like Shanghai GP3 or
 Agfapan APX 100.  Of course, conventional development is always a
 thought if the dynamic range of the scene can be properly managed.